barcarolle$509176$ - определение. Что такое barcarolle$509176$
Diclib.com
Словарь ChatGPT
Введите слово или словосочетание на любом языке 👆
Язык:

Перевод и анализ слов искусственным интеллектом ChatGPT

На этой странице Вы можете получить подробный анализ слова или словосочетания, произведенный с помощью лучшей на сегодняшний день технологии искусственного интеллекта:

  • как употребляется слово
  • частота употребления
  • используется оно чаще в устной или письменной речи
  • варианты перевода слова
  • примеры употребления (несколько фраз с переводом)
  • этимология

Что (кто) такое barcarolle$509176$ - определение

PIECE FOR SOLO PIANO BY POLISH COMPOSER FRÉDÉRIC CHOPIN
Barcarolle Op. 60 in F-sharp Major; Barcarole (Chopin); Chopin's Barcarolle
  • The opening of the ''Barcarolle''

Barcarolle (Saint-Saëns)         
MUSICAL COMPOSITION BY CAMILLE SAINT-SAËNS
Barcarolle in F major (Saint-Saens); Barcarolle in F major; Saint-Saëns Barcarolle; Barcarolle in F major (Saint-Saëns)
Camille Saint-Saëns's Barcarolle in F major, Op. 108 is a chamber composition for a quartet consisting of violin, cello, harmonium (or organ) and piano.
Barcarolle         
MUSICAL FORM
Barcarola; Bacarolle; Barkarola; Barcarole
A barcarolle (; from French, also barcarole; originally, Italian barcarola or barcaruola, from barca 'boat')"Barque" in English shares the same etymology. is a traditional folk song sung by Venetian gondoliers, or a piece of music composed in that style.
Barcarolle (horse)         
BRITISH-BRED THOROUGHBRED RACEHORSE
Barcarolle (foaled 1835) was a British Thoroughbred racehorse and broodmare who won the classic 1000 Guineas at Newmarket Racecourse in 1838. In a racing career which lasted from April 1838 until September 1839, the filly ran seven times and won twice.

Википедия

Barcarolle (Chopin)

The Barcarolle in F-sharp major, Op. 60, is a piece for solo piano by Frédéric Chopin, composed between autumn of 1845 and summer 1846, three years before his death.

Based on the barcarolle rhythm and mood, it features a sweepingly romantic and slightly wistful tone. Many of the technical figures for the right hand are thirds and sixths, while the left features very long reaches over an octave. Its middle section is in A major, and this section's second theme is recapitulated near the piece's end in F-sharp. It is also one of the pieces where Chopin's affinity to the bel canto operatic style is most apparent, as the double notes in the right hand along with spare arpeggiated accompaniment in the left hand explicitly imitates the style of the great arias and scenas from the bel canto operatic repertoire. The writing for the right hand becomes increasingly florid as multiple lines spin filigree and ornamentation around each other.

This is one of Chopin's last major compositions, along with his Polonaise-Fantasie, Op. 61. It is often considered to be one of his more demanding compositions, both in execution and interpretation, and recordings exist by virtually all the greatest pianists. Performance times average seven to nine minutes.